a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play El burlador de Sevilla y convidado de piedra
Creative/Crew
Conductor
Director
Set and Projection Designer
Costume Designer(s)
Lighting Designer
Chorus Director
Assistant Conductor
Prompter
Continuo
Musical Preparation
Diction
Supertitles
Assistant Director(s)
Stage Manager(s)
Assistant Stage Manager(s)
Dance Master
Fight Director
Costume Supervisor
Wig and Makeup
Cast
Leporello
Donna Anna
Don Giovanni
The Commendatore
Don Ottavio
Donna Elvira
Zerlina
Masetto
Show Dates
Time and Place
TIME AND PLACE: Late 2080s. A Ruined House, Mid-Atlantic United States.
Scenes
Media
Sponsors
This production is made possible, in part, by John A. & Cynthia Fry Gunn.
This production is made possible, in part, by Phyllis C. Wattis Fund for New Productions.
This production is made possible, in part, by Bertie Bialek Elliott.
This production is made possible, in part, by Barbara A. Wolfe.
This production is made possible, in part, by Bernard and Barbro Osher.
This production is made possible, in part, by Jan Shrem and Maria Manetti Shrem, through the Great Interpreters of Italian Opera Fund.
Etienne Dupuis, Nicole Car, and Luca Pisaroni's appearances are made possible by a gift to the Great Singers Fund from Joan and David Traitel.
Additional funding is provided by Candace Zander Kahn.
Additional funding is provided by Barbara Moller Ward.
Legacy Commission
Sung in Italian with English supertitles
Notes
New San Francisco Opera production.
The full program can be viewed/downloaded here:
https://encorespotlight.com/wp-content/uploads/2022/06/SFOpera-DonGiova…
The June 12th, 2:00 p.m. matinee was livestreamed, and on-demand for 48 hours following the performance.
Overlords, Refugees, Survivors