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Un Ballo in Maschera

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A Masked Ball
Librettist
Based On

a libretto by Eugene Scribe for Daniel Auber's opera Gustave III, ou Le Bal masque

Company
San Francisco Opera Association
Location
San Francisco, CA
Venue
War Memorial Opera House
Season
1940
Language
Italian

Creative/Crew

Conductor
Stage Director(s)
Chorus Master
Incidental Dances by

Cast

Riccardo, Count of Warwick, and Governor of Boston
Renato, his secretary and friend
Amelia, Renato's wife
Ulrica, a Fortuneteller
Oscar, a page
Sam, an enemy of the Count
Tom, an enemy of the Count
Judge
Servant

Show Dates

Broadcast

Live broadcast, Act II.

Time and Place

End of 17th Century, Colonial Boston

Scenes

Act I, Scene 1 -- A Hall in the Governor's Mansion
Scene 2 -- The Hut of Ulrica
Act II -- A Lonely Field near Boston
Act III, Scene 1 -- A Room in Renato's Dwelling
Scene 2 -- The Governor's Private Office
Scene 3 -- Terrace of the Governor's Mansion

Media

Notes

To access the full production program, click the PDF link above.

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10/23/1940, live broadcast, Act II:  "Un Ballo in Maschera, Act II (fragment): Jussi Björling (Riccardo), Elisabeth Rethberg (Amelia), Richard Bonelli (Renato); Gennaro Papi."

Program note:
"Un Ballo in Maschera" was written shortly after the attempt on the life of Napoleon III. First called "Gustavo III," after an assassinated Swedish monarch, it carried in its plot a similar murder and its intended presentation in Naples was prohibited. Later it was given in Rome but, in order to meet police requirements, with locale changed to Colonial America and Gustavo III to Richard "Count" of Warwick and "Governor" of Boston.

Jussi Bjoerling's Act III aria:

Arthur Bloomfield in his book "San Francisco Opera, 1923-1978" stipulates Bjoerling sang the third act aria he later cut at the Met and elsewhere. The only proof of this being true is the review of a Los Angeles performance, which indeed mentions the aria. The printed program lists that particular scene, a scene consisting of his aria and a brief exchange with Oscar, which would seem to indicate that it did take place. 

No orchestra scores from that time exist, so the fact can not be verified in that fashion. All indications are that he DID sing it at the War Memorial and with the Company on tour. 

Dancers