Creative/Crew
Chorus Director
Associate Chorus Master
Wilsey Center for Opera Head Stage Technician
Stage Manager, Wilsey Center for Opera
Show Dates
Media
Notes
Program:
Ein deutsches Requiem . . . Johannes Brahms (1833–1897)
IV. “wie lieblich sind deine wohnungen”
Trois Chansons de Charles d’Orléans . . . Claude Debussy (1862–1918)
“Dieu! qu’il a fait bon regarder!”
“Quant j’ai ouy le tabourin”
Laurel Porter, soloist
“Yver, vous n’estes qu’un villain”
Angela Eden Moser, Janet Campbell, Colby Roberts, Michael Rogers, quartet
Kacena divoká (The Wild Duck) . . . Leoš Janácek (1854–1928)
Ave Maria . . . Igor Stravinsky (1882–1971)
Bogoroditse Dyevo (Ave Maria) . . . Arvo Pärt (1935–)
Ave Maria . . . Franz Biebl (1906–2001)
William O’Neill and Chester Pidduck, cantors
Le Ballet des Ombres, H. 37 . . . Hector Berlioz (1803–1869)
All-Night Vigil, op. 37 . . . Sergei Rachmaninov (1873–1943)
VIII. “Khvalite imya Gospodne” (“Praise the name of the Lord”)
Ride on King Jesus . . . traditional, arr. by Moses Hogan (1957–2003)
Alexander Taite, soloist
Deep River. . . traditional, arr. by Moses Hogan (1957–2003)
The Storm is Passing Over . . . Charles Alfred Tindley (1851–1933),
arr. by Barbara W. Baker
Water Night . . . Eric Whitacre (1970–)
“Freudig begrüssen wir die edle Halle” (“entrance of the Guests”)
from Tannhäuser . . . Richard Wagner (1813–1883)