(see notes)
Creative/Crew
Conductor
Stage Director(s)
Design concept and costumes
Setting designed by
Lighting designed by
Sound tapes by
Projectionist
Arrangements of old music by
Cast
John Faustus
Henri Faust
Gretchen
Marguérite
Lieschen
Méphistophélès
Lucifer
Martha
Valentine
Wagner
Show Dates
Time and Place
(see notes)
Scenes
Acknowledgements
Closed circuit television equipment courtesy of Sony Corporation of America
Notes
Production by the Center Opera Company, Minneapolis
Projection system by Blumberg Photo Sound
Wigs by Wig World of Minneapolis
A music-theater collage by John Gessner and H. Wesley Balk, incorporating music by John Gessner, dialogue by H. Wesley Balk, and music and words from Berlioz: The Damnation of Faust; Boito: Mefistofele; Gounod: Faust; Goethe: Faust; Kipphardt: In the case of Robert J. Oppenheimer; Marlowe: The Tragical History of Doctor Faustus; Marowitz: Prologue to Doctor Faustus.
John Faustus has conceived his version in 7 parts:
Part I -- The ritual denunciation and exorcism of all existing versions of "Faust" in which the singers repeat the names of principal composers and authors backwards, i.e. "Ehteog," "Zoilreb," "Ewolram," "Donuog," etc.
Part II -- The confession of Faust's sins against the earth, the air and the water
Part III -- The Communion of Guilt
Part IV -- The summoning of Lucifer
Part V -- The reversal of all previous Faustian pacts
Part VI -- The renunciation of Love
Part VII -- The final expurgation of the extensions of Man It is Faustus' conviction that, once performed, the piece will act as an exorcism of the ills of technology, and of technology itself.
There will be one ten minute intermission